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He has since left Warp Films to set up his own production company 'CC Co' to produce his films independently. His video for Bjork's "All Is Full of Love" won multiple awards, including an MTV music video award for Breakthrough Video and was nominated for a Grammy for Best Short Form Music Video.

Cunningham also started work on a number of independent video art pieces in 2000. Rubber Johnny, a six-minute experimental short film cut to a soundtrack by Aphex Twin, remixed by Cunningham was shot between 2001 and 2004. His video for Aphex Twin's "Windowlicker" was nominated for the "Best Video" award at the Brit Awards 2000. With his series of music videos completed, Chris produced a number of commercials, including Telecom Italia, Playstation, Orange, ITV, and Nissan. The Work of Director Chris Cunningham (Video 2003) cast and crew credits, including actors, actresses, directors, writers and more. The short film was edited to music by Squarepusher, My Fucking Sound, from the album Go Plastic and a piece called Mutilation Colony, which was written especially for the short and was released on the EP Do You Know Squarepusher. Flex was commissioned by the Anthony d'Offay Gallery for the Apocalypse: Beauty & Horror in Contemporary Art exhibition curated by Norman Rosenthal and Max Wigram at the Royal Academy of Arts in 2000. In other music producing work, Cunningham also created audiovisual remixes for Gil Scott-Heron and Grace Jones. Having now headlined festivals around the world with his live show, Cunningham is presently working on his first audiovisual album. From 2003/2004, Cunningham took a sabbatical from film-making to learn about music production and recording and his focus shifted to developing his own music projects. alongside other pieces by Bacon, Klimt, Rembrandt, Rodin and Picasso. Take your favorite fandoms with you and never miss a beat. In 2008, continuing his photography work, Cunningham produced a fashion shoot for Cunningham's career all seems to be heading toward the inevitable final culmination as a director of feature films, and he has already had certain steps in this direction. In 2005, Cunningham released the short film Rubber Johnny as a DVD accompanied by a book of photographs and drawings.

Back in the music field In 2008, Cunningham won a Cannes Golden Lion for his reworking of Donna Summer's "I Feel Love" in his 2008 Gucci Flora commercial. The sound accompanying these images includes Cunningham’s first publicly performed compositions interspersed with his remixes of other artist’s work.

In the summer of 2008, due to scheduling conflicts with his feature film script writing he couldn't work on the rest of the album which was subsequently recorded by Geoff Barrow from Portishead. He produced and arranged a new version of the song for the commercial, which he also directed. Cunningham also created photography and cover artwork for various clients including artists whose videos he has directed, such as for Bjork's "All Is Full of Love", Aphex Twin's "Windowlicker" and "Come to Daddy". It can still be seen at the Museum of Modern Art in New York. Meanwhile, in 2007, an excerpt from Cunningham's video piece Flex was shown in the Babican's exhibition Seduced: Art and Sex from Antiquity to Now curated by Martin Kemp, Marina Wallace and Joanna Bernstein.

Today, Cunningham is most well known for his award-winning work in music video directing, producing iconic videos for such well-known singers and acts as Bjork, Aphex Twin, Madonna, Portishead, Autechre and others. During this period Cunningham also made another short film for Warp Films, Spectral Musicians, which remains unreleased.

He had travelled to Nashville to work with Donna Summer to record a brand new vocal for it. He also directed Madonna's "Frozen" video which became an international hit and won the award for "Best Special Effects" at the 1998 MTV Music Video Awards.

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Born in Reading, Berkshire, England in 1970, Cunningham grew up in Lakenheath, Suffolk. Cunningham often works cutting-edge science fiction concepts into his music videos, such as when he turned Bjork into a realistic android for her "All is Full of Love" video. His first production was for the British electronic duo Autechre. Shot on DV night-vision, it was made in Cunningham's own time as a home movie of sorts, and took three and half years of weekends to complete. The Anthony d'Offay Gallery also commissioned Monkey Drummer, a 2½ minute piece intended for exhibition as a companion to Flex at the 2000 Apocalypse exhibition at the Royal Academy of Arts, however the piece was not finished in time.

His video installation Flex was first shown in 2000 at the Royal Academy of Arts, and subsequently at the Anthony d'Offay Gallery and other art galleries. In December 2007 Cunningham produced the tracks, "Three Decades" and "Primary Colours", for the album.

In the course of his TV, movie and film effects and concept art career, Cunningham is perhaps still best known for his 1990s turns as a creature and concept artist on such 90s sci-fi films as the In the comics field, from 1990-1992 Cunningham contributed the occasional cover painting and comic strip for Subsequently, Cunningham was chosen as the concept artist, special makeup effects designer and builder behind many of the successful effects in the 1994 feature film version of Other earlier work in film for Cunningham included model making, prosthetic make-up and concept illustrations for Cunningham then began his close ties to Warp Records as director on a series of music videos.

Chris Cunningham (born October 15, 1970) is an English film creature-effects and conceptual artist, film, commercial and music video director, and comic book artist and painter who served as part of the creature effects crew on the 1992 film Alien3 and as a character designer on the 1997 film Alien Resurrection (credited under the alias Chris Halls). He has also directed TV commercials for PlayStation, Gucci, Levis, Telecom Italia, Nissan and Orange. It features remixed, unreleased and brand new videos and music dynamically edited together into a new live piece spread over three screens. He then began work as a music producer and produced two tracks on The Horrors' Mercury Prize—nominated second album Primary Colours in 2007. Each robot was designed by Cunningham, and the faces are reminiscent of Björk’s own delicate features.