joe lovano biography

“Big T,” along with his brothers Nick and Joe, other tenor players, and Carl, a bebop trumpeter, made sure Joe’s exposure to Jazz and the saxophone were early and constant. He began sitting in with friends, and ended up working with Chet Baker at Stryker’s, and Albert Daley at Folk City, as well as sitting in with Rashied Ali at his club, Ali’s Alley. Hier begann seine Zusammenarbeit mit der Sängerin und Tänzerin Die weiteren Einspielungen der 1990er Jahre präsentieren fast alle feste Working Bands, zum Teil mit Gästen. The album Joe recorded with Dr. Lonnie Smith, Afrodesia, started getting a lot of airplay on Jazz radio across the country at that same time, resulting some early name recognition when Joe worked new clubs with McDuff.Eventually, the group played New York, the real Jazz proving grounds, for Joe’s first Carnegie Hall gig, and in Harlem, at the Club Barron. In 1980, Joe joined the Mel Lewis Orchestra when Bob Brookmeyer served as Musical Director, becoming part of the group’s weekly Monday night concert at the Village Vanguard for the next eleven years.During his tenure with Mel’s band, Joe began working gigs as a leader, with Mel as his drummer. During this period, Joe recorded as a leader for several other labels besides Italy’s Soul Note records, including Enja, Jazz Club, Label Bleu, and Owl.Joe’s next high profile gig that brought him more national and international attention was with guitarist John Scofield’s Quartet, with whom he recorded and toured from 1989 – 1993.As his reputation escalated, Joe began recording and touring with the major Jazz musicians of the late 20th century, including: Gunther Schuller, Herbie Hancock, Elvin Jones, Charlie Haden, Carla Bley, Bobby Hutcherson, Dave Brubeck, Billy Higgins, Dave Holland, Ed Blackwell, Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner, Jim Hall, and Bob Brookmeyer, among many others.In 1991, Joe Lovano signed with Blue Note Records and since then, has been leading his own groups, producing nearly twenty-five recordings as a leader and becoming one of the great Jazz artists of our time.The secret to Joe Lovano’s success is his fearless ability to challenge and push the conceptual and thematic choices he makes in a quest for new modes of artistic expression, further defining the Jazz idiom.Joe has long experimented with varying ensembles and formats, including playing unaccompanied saxophone and gongs, as well in duets, trios, quartets, quintets, his Wind Ensemble, Street Band and Nonet, all reflecting his searching and dynamic personality.As much a composer as player, Joe is constantly seeking new ways to express his muse. And Aunt Rose went to hear Jazz at the Philharmonic with Ella Fitzgerald when they came through Cleveland.Not surprisingly, Joe began playing the alto at five, switching to the tenor a few years later. His dad, Tony, aka Big T, was a barber by day and a big-toned tenor player at night. At home, in his studio, he enjoys these multiple outlets for his creativity. The band’s nearly non-stop schedule, with only two weeks off every year, included a number of colleges and high schools, where Joe had his first experiences doing workshops and master classes.After nearly three years on the road with Woody, Joe decided it was time to move on. Joseph Salvatore Lovano was born in Cleveland, Ohio on December 29, 1952 and grew up in a very musical household. Berklee also awarded Joe its first endowed chair, The Gary Burton Chair for Jazz Performance in 2001Post-Berklee, after six weeks on the road backing Tom Jones, Joe returned to Cleveland.

Born Joseph Salvatore Lovano in 1952 in Cleveland, Ohio, Lovano was first introduced to the saxophone by his father, respected Cleveland saxophonist Tony "Big T" Lovano. Nach dem Besuch der Highschool ging er an die Nach drei Jahren der Zusammenarbeit mit Woody Herman, in denen er auch an einer Europatournee teilnahm, ließ sich Lovano in New York nieder. Although he’s busy touring and recording, Joe is an avid swimmer and somehow still finds the time for an occasional 18 holes of golf. Lovano wurde bereits als Kind von seinem Vater, dem Tenorsaxophonisten Tony „Big T“ Lovano ausgebildet. Judi’s sound, in particular, influenced ideas and feelings that were instrumental in opening up my concept about an ensemble sound that includes voice. Joe joined the organist for a series of gigs in the Motor City, as well touring on the Chitlin circuit in 1974.A six month tenure with Brother Jack McDuff and the Heating System was next. Working with Motian helped Joe gain further exposure and renown, particularly in Europe.Riding the wave of his European success with Motian, Joe began touring as a leader, just after his first recording, for Soul Note, Tones, Shapes and Colors.

By the time he got his driver’s license at sixteen, Joe Lovano was a member of the Musician’s Union, Local 4, and working professionally. Joseph Salvatore Lovano was born in Cleveland, Ohio on December 29, 1952 and grew up in a very musical household.