our time carlos reygadas king crimson

our time carlos reygadas king crimson

We might think of the art film director as a perfectionist who aligns every element of the frame to their intended vision, but that’s a paradigm his films falls outside.A documentary-infused style like this isn’t necessarily anything new in and of itself, but what’s singular about Reygadas’ work is his marriage of the sweeping, slow cinema aesthetic with a neorealist influence. Shot for two years on a ranch in, with Reygadas lensing 50 hours of its surrounding nature, “Our Time” has Reygadas and his wife and editor Natalia Lopez playing Juan and Esther. “Reygadas has long been a favorite on the festival circuit, especially Cannes, which awarded him Best Director honors for 2012’s “Post Tenebras Lux” and a jury prize for 2007’s “Silent Light.” In celebration of both Reygadas’ body of work and his latest film, New York’s Museum of the Moving Image will be rolling out a full retrospective of Reygadas’ films starring June 8 and running though June 13. All Rights Reserved. French Distribution. Despite the relative lack of incident, he still finds ways to naturally motivate his expressive camerawork: the characters attend a concert, and the film briefly leaves them in order to focus on percussionist Gabriela Jimenez’s intense performance; Ester reads a letter she has written to Juan in voiceover and the camera takes the perspective of a plane making its descent; etc. “Our Time” is not a traditional nor reassuring allegory, but it is a sad, wondrous reminder of our own mortality. If you appreciate our independent film criticism, Directed by Peter Hyams. The fact that these scenes are presented in real time—and with a rich, dusky color palette (lots of silver-greys and deep blacks)—says a lot more than Juan’s actions ever could. That sort of comically humbling rationale is unique to “Our Time,” a movie that encourages viewers to feel just as frustrated and as awed as Reygadas’s characters as they try to hold onto love’s fading light (which is often represented literally here). Because these cookies are strictly necessary to deliver the website, you cannot refuse them without impacting how our site functions. Review by Danny Clukey ★★★★½ 38 Our Time is perhaps Reygadas’s most conventionally realistic work, predicated on the breakdown of an open relationship where one partner transgresses by holding secrets and falling in love outside the marriage. The ranch hand character Phil does not feel developed enough to earn the significant role Reygadas gives him, and the epistolary structure of the film’s second half ends up feeling like an easy way for Reygadas to describe his characters’ emotions, something he should trust his camera to do. Like Mexican writer/director Carlos Reygadas’s previous films, “Our Time” follows protagonists who often try and fail to tap into (or be worthy of) the incredible energy that presides over the romantic setting of Tlaxcala, a rugged, flat grassland territory in Eastern-central Mexico. So while Juan frequently tries to impose his will onto whatever Reygadas’s camera shows us, Reygadas never confirms Juan’s subjective experiences for very long. A film by Carlos Reygadas. We join Juan as he watches divine light slowly and periodically fade from view, only to realize that only he’ll eventually disappear long before it does. Instead, Reygadas constantly makes us feel as lost and frustrated as his human subjects. For that reason, Reygadas’s sometimes inscrutable authorial whims are usually more important than Juan’s familiar narrative. Carlos Reygadas has become one of the greatest film-makers of our time. Copyright © 2020 Penske Business Media, LLC. Our time Mexican auteur Carlos Reygadas, Cannes 2012 Best Director with “Post Tenebras Lux”, presents his unparalleled cinematic beauty at the 75th Venice Film Festival. Juan’s comically mannered response—“Someone more manly would have said: 'It would be a pleasure to have sex with you, but I won't do it because you're Juan's wife, and I have much to thank him for. You can block or delete them by changing your browser settings and force blocking all cookies on this website.We also use different external services like Google Webfonts, Google Maps and external Video providers.

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our time carlos reygadas king crimson 2020